GO SPARTANS

faked by June 13th, 2011

They used cracked and splintered
porch doors as stretchers for the bodies,
for the mommas and cousins and math
teachers.

(Whatever would do. They were out of
proper stretchers, and bandages, and
morphine. The Red Cross was set up
at the Piggly Wiggly. You don’t get
choosy in wartime).

The house where we played Neuromancer
on the Commodore
was gone.
The house where you’d put my hand
under your black bra
was gone.
The house where we’d listened to Tesla
was gone.
But these were just places, just
gray plastic and dull copper,
Dothan brick and Bessemer steel.

Fresh cut wood, that’s what my daddy
told me it smells like after the storm, after
the phone lines are back up.

(He told me this on April 27, 2011, as I stood
in the middle of Saint Mary Street and stared
at the sky, biting the insides of my cheeks).

His house didn’t get exploded, he wasn’t
left with shatterered femurs twisted under
concrete blocks, he didn’t have to ride on
a busted porch door to the Red Cross shelter
down at the Piggly Wiggly.

They don’t even give the damned tornados
names like they do their slow, fat-assed cousins,
lumbering in from the Gulf, chewing up
everything in sight, names so kind, almost
mild: Camille, Hugo, Katrina, the names of
mommas & cousins &
math teachers.

KEEP HATRED FROM THE MIGHTY

faked by June 4th, 2011

I flinch for like the sixth time while passing the exit to Yazoo City. It’s one of the organ donors that does it do me this time; he’s alone, clad in green Kevlar, riding without a pack, bobbing and weaving in between the battered Corollas and single-headlight F-150s. For the hundredth time I think that anybody riding a motorcycle this fast on the highway in Jackson must have a sincere desire to go out the old-fashioned way: with a joyous spray of arterial blood over the spiderwebbed windshield of an elderly Baptist deacon driving ten miles under the speed limit while buzzed on Mad Dog and Kools.

When I drank I never used to flinch. I used to bob and weave in traffic like the organ donors on their chopped & screwed Kawasakis and Ducatis. I’d have the windows down in the Camino—the windows were always down—with a Miller Lite tallboy between my legs as the little cassette player struggled to cough up enough decibels to get over the sputtering engine and roadhum.

I’m singing along to Stevie Wonder asking for Heaven to Help Us All when my phone buzzes. I miss y’all. I am at a country western bar that is playing rap music. I grin so hard that I don’t even flinch when a two-toned Caprice edges me off the highway by riding down the middle of both lanes, a dense heartbeat of bass throbbing and Dopplering behind the Chevy as it roars into the distance, painted yellow by a hundred sodium vapor lights. There are no taillights.

BRING ME CHAMPAGNE WHEN I’M THIRSTY

faked by May 15th, 2011

Read the rest of this entry »

IF I RAN THE NYT

faked by May 11th, 2011

Read the rest of this entry »

Market Rates and Digital Music: Buy Used CDs Instead of mp3s.

faked by May 6th, 2011

Some recent late-night scrounging on eBay has me really interested in the value of purchasing mp3s versus physical media. I rarely buy music digitally—I desire the physical object, whether it’s a cassette, vinyl, or otherwise. Lately, I’ve been filling in the gaps in my music collection, and have (re)bought albums I previously had scattered over several types of dead or dying or lost and borrowed media. It’s led me to the conclusion that it’s not economical to buy older music digitally; instead, it’s much cheaper to buy a used version already in circulation.

Read the rest of this entry »

I LOVE YOU POLY STYRENE

faked by April 26th, 2011



Do you see yrself in the magazine
When you see yrself
Does it make you scream

BIPEDAL

faked by April 21st, 2011

Read the rest of this entry »

IT’S IN MY KISS

faked by April 14th, 2011

Read the rest of this entry »

STRINGS OVERHEAD

faked by April 12th, 2011

Read the rest of this entry »

THE WORLD OF LOST BATTLES

faked by April 8th, 2011

LOST BATTLES is an artifact from JXN, HUGGI$$IPPI
It is dedicated to EUDORA ALICE WELTY, an artist from Jackson, Mississippi

LOST BATTLES IS:

Ashley Gates, of Cosmopsis
Andrew Williams, of Hub City
Tracy Carr, of The Oh Really
Brannon Costello, of PrettyFakes
Jack Butler, of PrettyFakes when he feels like it, author of JUJITSU FOR CHRIST
Walter Biggins, of Quiet Bubble
Patrick Puckett, of Ghost House Design; designer-interpreter of the LOST BATTLES logo
Gorjus, of PrettyFakes

If you want one
you better
hustle

DOWNLOAD (PDF): LOSTBATTLES