
I’d basically abandoned Polaroid photography due to the inherent unpredictability of the Impossible Project film, but Ryan Kost’s soft, lovely pictures dragged me back.
Taken today, with PX70.

I’d basically abandoned Polaroid photography due to the inherent unpredictability of the Impossible Project film, but Ryan Kost’s soft, lovely pictures dragged me back.
Taken today, with PX70.